Services/Video Production/Editing & Post-Production
We edit footage from any source

Raw footage.
Final cut.

Professional editing, color grading, sound design, and motion graphics — delivered in every format you need. Whether we shot it or you did.

RAW

Unedited footage placeholder

DELIVERED

Final edited piece placeholder

3Structured review rounds
AnyCamera format accepted
4KUp to 4K delivery
6+Platform-ready export formats

What we do in post

Every stage.
One team.

We handle the full post pipeline — or just the parts you need. Bring us a locked picture for color and sound, or hand us raw cards and we\'ll take it all the way to delivery.

Picture Editing

Assembly through final cut. We find the story in your footage, pace it right, and shape the edit to your audience and platform — whether that's a 90-second social cut or a 20-minute documentary.

Color Grading

Correction and creative grade using DaVinci Resolve. We match shots, fix exposure and white balance issues from set, and develop a consistent look that elevates the whole piece.

Sound Design & Mix

Clean dialogue, music licensing and placement, ambient sound design, and a balanced final mix. Audio is half the experience — we make sure it earns its share.

Motion Graphics & Titles

Lower thirds, animated titles, logo stings, kinetic typography, and branded graphic packages — built in After Effects and integrated into your edit.

VFX & Compositing

Green screen keying, visual effects compositing, screen replacements, and clean-up work. From simple fixes to complex multi-layer composites.

Captions & Subtitles

Accurate transcription, timed captions, and styled subtitle files in SRT, VTT, and burned-in formats. Accessible, platform-ready, and QC'd before delivery.

The difference post makes

Same footage. Completely different result.

BEFORE — ungraded / rough cut

Raw / log footage frame

Flat color, ambient audio, unstructured
  • Flat, washed-out color profile
  • Background noise on dialogue
  • No pacing or story structure
  • No graphics, titles, or branding
AFTER — graded & finished

Color graded & delivered frame

Rich color, clean audio, polished final
  • Consistent, cinematic color grade
  • Clean dialogue, balanced mix
  • Tight pacing, clear narrative arc
  • On-brand titles and motion graphics

The revision process

You always know where your project stands.

Post-production is collaborative. We build in structured review rounds at every stage so you\'re making decisions with full context — not reacting to a finished piece that missed the mark.

01

Footage review & selects

We watch everything you've delivered, pull the best material, and build a selects reel so you're aligned on what we're working with before we cut a frame.

02

Rough assembly

First cut focused on structure and story. We're not polishing yet — we're getting the bones right. You review this cut before we go any further.

03

First client review

You give us notes on the assembly. We answer questions, clarify creative direction, and align before moving into the fine cut. This is the time for big structural feedback.

04

Fine cut

Pacing, performance, flow. The edit gets tight. Music is temped in, rough titles are placed, the story is locked. A second review round if needed.

05

Color, sound & graphics

Grade, sound mix, and final motion graphics applied to a locked picture. The piece becomes what it will be. One final review round.

06

Delivery

Final files in every format you need — broadcast masters, platform-specific exports, social cuts, and caption files. Delivered via secure transfer with a handoff document.

Our tools

Industry-standard
software. Every time.

We work in the same tools the best post houses use — which means your files integrate cleanly with any downstream workflow, and you get the quality that comes from experienced operators using the right software.

Adobe Premiere ProPrimary editing platform
DaVinci ResolveColor grading & advanced finishing
Adobe After EffectsMotion graphics & compositing
Adobe Audition / Pro ToolsSound design & audio mix
Frame.ioClient review & collaboration
EditReady / BRAW ToolboxCamera RAW & log footage handling

Who brings us footage

We work with whoever shot it.

Brands with raw footage

You shot content in-house or with a freelancer and need a professional editor to shape it into something you're proud to publish. We work with your footage — no matter who shot it.

Production companies

You've completed a shoot and need a reliable post partner for finishing work — edit, color, and delivery. We integrate into your workflow and hit your deadlines.

Agencies

Client content, social campaigns, case study videos, and ad creative that needs professional post work fast. We understand agency timelines and turnaround expectations.

Event organizers

Hours of event footage that needs to become a highlight reel, recap video, or sponsor recap within days of the event wrapping. We do same-week turnarounds on event edits.

Delivery formats

Every platform.
Every spec.

We deliver in whatever format your project requires — broadcast masters, digital files, platform-optimized exports, and caption files. No extra steps on your end.

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Broadcast MasterProRes 422 HQ, 1080i/4K, broadcast safe
Digital MasterH.264 or H.265, up to 4K, high bitrate
YouTube / VimeoH.264, 1080p or 4K, platform-optimized
Instagram / TikTok9:16 vertical, 1080×1920, compressed
Facebook / LinkedIn16:9 and 1:1, captioned variants
Captions & SubtitlesSRT, VTT, burned-in, translated on request

Common questions

Everything you need to know.

Do you edit footage you didn't shoot?

Yes — and we do it regularly. Most of our post clients bring us footage from other shooters, in-house cameras, or previous productions. As long as we have quality source material to work with, the source doesn't matter.

How do I share footage with you?

We use Frame.io for review and feedback, and accept deliveries via Frame.io, Google Drive, Dropbox, or hard drives for larger projects. We'll share a specific upload link after your project is confirmed.

How many revision rounds are included?

Our standard projects include three structured review rounds — assembly, fine cut, and finishing. Additional rounds can be added. We're clear about this upfront so there are no surprises on either side.

Can you work with any camera format?

Yes. We handle BRAW, ARRI RAW, RED, ProRes, H.264/H.265, iPhone, GoPro, and everything in between. Log footage, RAW footage, mixed camera projects — we sort it out before we start.

Do you handle music licensing?

We can source and license music for your project from royalty-free libraries (Musicbed, Artlist, Epidemic Sound), or we can cut to music you've already licensed. We do not clear commercial sync rights for major label music.

How long does a typical edit take?

A 2–3 minute brand video typically takes 5–7 business days from footage delivery to rough cut, plus time for revisions. Longer-form projects scale accordingly. Rush turnarounds are available for time-sensitive work — flag this when you reach out.

What if I need multiple versions?

Cut-downs, aspect ratio variants, captioned versions, and platform-specific edits are part of most projects. We build them from the locked master so they stay consistent. Just tell us what you need and we'll scope it in.

Ready to finish your project?

Send us your footage.

Tell us what you have, what you need, and when you need it. We\'ll come back with a plan and a quote within 24 hours.